What Garden Can You Visit Early In The Morning In Madrid?

Latest Stories from Madrid

Planning Toolkit

• Discover some of the most unique and fulfilling experiences your next destination has to offer.

  Tips & Travel trends to help you pick the perfect time to visit this destination.

  Add visiting these must-see local hot spots and culture centers to your next travel itinerary.

  Plan a day trip full of local flavor and get back in time with these same-day options.

  Browse the various transportation options to make your trip that much easier when you arrive.

  Ways to maximize the fun without spending a dime on your next great adventure.

• Discover some of the most unique and fulfilling experiences your next destination has to offer.

• Tips & Travel trends to help you pick the perfect time to visit this destination.

• Add visiting these must-see local hot spots and culture centers to your next travel itinerary.

• Plan a day trip full of local flavor and get back in time with these same-day options.

• Browse the various transportation options to make your trip that much easier when you arrive.

• Ways to maximize the fun without spending a dime on your next great adventure.

Top attractions

These are our favorite local haunts, touristy spots, and hidden gems throughout Madrid .

• Museum

  Museo Thyssen-Bornemisza

  The Thyssen-Bornemisza Museum is one of the three points composing Madrid 's Golden Triangle of Art along the Paseo del Prado (Art Walk), together with the Museo del Prado and the Reina Sofía. Once a privately owned art collection started by the Baron Heinrich Thyssen-Bornemisza, and later on expanded by his son Baron Hans Heinrich Thyssen-Bornemisza, the Thyssen is home to a magnificent collection of nearly 1,000 paintings from several of the world's most celebrated artists, from Dalí to Degas, Rembrandt to Renoir, and van Eyck to Van Gogh among several others. While the Prado and Reina Sofía's massive size allows you to delve into the life's work of a particular artist, which could take days to fully explore, the Thyssen's relatively compact size offers visitors with limited time the memorable experience of immersing in a wide and varied range of artistic styles and periods from the 13th to the 20th century. History of the Thyssen-Bornemisza Museum The story of how the Thyssen family's prized art collection moved from an aristocrat's private gallery housed in Switzerland to the Spanish capital is a curious one that spans three generations. The Thyssen Museum's earliest pieces could be traced to the seven sculptural groups of Auguste Rodin, which were commissioned by August Thyssen — the German industrialist and founder of the steel and iron Thyssen empire in the late 19th century. After his death, his third son Heinrich continued the family tradition of collecting art, acquiring major pieces in the 1920s. Heinrich had gained noble status after marrying the daughter of the Hungarian Baron Gabor Bornemisza de Kászon, Margit, and later adopted the surname Thyssen-Bornemisza. Between 1933 and 1935, Heinrich added many pieces to the collection, including Jan van Eyck's "The Annunciation" and Caravaggio's "Saint Catherine of Alexandria." As his collection grew, he bought the palace of Villa Favorita in Lugano, Switzerland, to build an art gallery where he could privately exhibit his collection to guests. Upon Heinrich's death in 1947, his treasured art collection went to his youngest son, the Baron Hans Heinrich. He further expanded his father's collection to include avant-garde styles and modern art, and eventually opened the Villa Favorita gallery to the public. Wishing to preserve his collection, the Baron explored the possibility of expanding Villa Favorita in a foreign location. Subsequently, he received multiple offers from several German cities, the Getty Foundation, and the Spanish government. Owing to the influence of his Spanish wife, Carmen Cervera, the Baron eventually took his collection to Spain and loaned 775 works to the Spanish state in 1988. In June 1993, these were sold to the Spanish state for 350 million dollars. Baron Hans Heinrich bequeathed most of his paintings to Carmen Cervera, who continues to lend these paintings to the museum as part of the Carmen Thyssen-Bornemisza collection. Museum highlights A good way to explore the Thyssen's treasures is to do it chronologically, by starting on the top (second) floor and working your way down. The second floor showcases medieval art, including 13th and 14th century Italian, German and Flemish religious paintings and triptychs. Room 11 features masterpieces by El Greco and his Venetian contemporaries Tintoretto and Titian, while Room 14 and 15 display paintings by mid-century Spanish masters Zurbarán and Murillo. Aficionados of Dutch and Flemish art would not want to miss Rooms 19 to 21, which showcase works from Rembrandt, Rubens and van Dyck. The top-floor highlights are Rooms A to H, which showcase the impressive collection of Carmen Thyssen-Bornemisza, including masterpieces from Boudin, Canaletto, Courbet, Fragonard, Matisse, Picasso and Renoir, among several others. The museum's first floor is home to an exquisite assembly of 19th-century French Impressionist and Post-Impressionist paintings by Cézanne, Degas, Gauguin, Pissarro Toulouse-Lautrec and Van Gogh. Finally, the Thyssen's ground floor is a toast to contemporary 20th-century art, with works from Cubist and Surrealist masters, including Picasso, Braque, Juan Gris, Paul Klee, Max Ernst, Joan Miró, Chagall and Salvador Dalí. Here is also where you can gaze at celebrated pop art and expressionist paintings from Lichtenstein and Jackson Pollock, a highly charged contrast to the medieval religious-inspired art at the start of your tour. Thematic tours and temporary exhibitions One curated way to experience the Thyssen's collection, especially if you don't have too much time to explore all its rooms, is taking a thematic tour marked by special routes according to specific themes such as food, wine, fashion or love and sensuality. It's not hard to understand why the Thyssen has embraced the motto, "Everyone's Museum" — its layout is quite the opposite of the stuffy museum stereotype. There's a vibrant, open and friendly atmosphere enlivened by regular open-air concerts, temporary exhibitions, educational programs for the youth, as well as free entry on Monday afternoons. After an enriching day of art appreciation, the Thyssen's lobby and open-air terraces by the courtyard and garden are a welcoming setting for guests to enjoy cocktails and art-soaked conversations. Tickets and opening hours It is highly recommended that you book tickets in advance, especially during weekends when the museum gets packed. Full access tickets (EUR13) and tickets with an audio guide (EUR18) can be reserved online on the Thyssen website. The museum offers free entry on Mondays all year round from 12:00nn to 4:00pm.

• Church

  Basílica de San Francisco El Grande

  Crowning Madrid 's oldest neighborhood of La Latina is an architectural and visual masterpiece that is the Basílica de San Francisco el Grande (Basilica of Saint Francis the Great) — as much a place of Catholic worship as it is a temple paying homage to Spanish art. Its several marble and gold inlaid chapels and sacristy are home to an impressive collection of paintings by Spanish masters, the most famous of which is Francisco Goya's St. Bernardino of Siena preaching to Alfonso V of Aragon. With a diameter of 33 meters and height of 58 meters, the Basilica's great dome is the largest in Spain and the fourth largest in Europe, after those of Saint Peter's Basilica and the Pantheon in Rome, and the Santa Maria del Fiore in Florence. History of the Basilica de San Francisco el Grande This treasured Spanish heritage has been through multiple incarnations, the earliest of which goes back to the 13th century. Legend has it that when Saint Francis of Assissi passed by Spain on his pilgrimage to the tomb of the St. James the Apostle in Compostela in 1214, he built a modest home for himself and his companions near a hermitage where the church stands today. From these humble beginnings, the structure was expanded and enriched over the years, and eventually exceeded the splendor of all the churches in Madrid, until it was completely demolished in 1760 in order to build an ever bigger and more beautiful church to replace it. The ambitious work was then assigned to a Franciscan monk, Fray Francisco Cabezas, who had envisioned a dome covering a circular temple housing several chapels. He worked on it for seven years until the project was suspended because of a disagreement over the proposed plan for the dome. Years later, under the rule of King Carlos III, construction recommenced under the guidance of the famed Italian architect Francesco Sabatini (who likewise designed Madrid's Puerta de Alcalá and oversaw the reconstruction of the Plaza Mayor). The royal church was finally consecrated on 1784, and nearly two centuries later in 1963, was officially conferred the status of Basilica Minor by Pope John XXIII. Museum highlights Once you step through the doors of the Basilica, it is impossible to not be awestruck by its floor-to-ceiling opulence and assembly of art under one dome. Underneath a celestial scene of frescoes and stained glass windows with biblical motifs, guarded by sculptures of the apostles and prophets, trompe-l'œil paintings of saints, and carved cherubim, are six chapels embracing a main altar. Each of these chapels have a different theme and is a mini museum unto itself, featuring altars surrounded by large oil paintings depicting religious scenes, mosaics, and intricately carved moldings. While the Basilica's predominant architectural style is NeoClassical, these lavishly decorated chapels showcase different distinct periods, from Baroque to Byzantine, Renaissance to Rococo. The Chapel of St. Bernardino of Siena, one of the chapels situated on the left side of the Basilica, features Goya's famous St. Bernardino of Siena preaching to Alfonso V of Aragon, which was commissioned in 1781. As selfies were non-existent at that time, Goya managed to incorporate the closest thing — his self-portrait on the right-hand side of the painting (he's the one dressed in yellow). While visiting the main church area is free during morning Mass hours, it is certainly worth paying for a ticket (5 euros, from Tuesday to Friday) to access the museum in the inner sacristy. These hallowed halls exhibit 49 large paintings depicting scenes from the life of Saint Francis of Assisi, by renowned Spanish artists such as Alonso Cano, Francisco Zurbarán, Antonio González Velazquez, José Moreno Carbonero, among others. It is no less opulent inside — the hefty carved seats, mahogany and oakwood floors, gold candelabras and ornate ceilings could make you pause and wonder just how far the church has come from its humble origins. One room of interest is the ante-sacristy, a red-painted sanctum bordered by 17th century walnut-carved benches with Plateresque style backs. Six mirrors framed in gold gilded pinewood actually serve a purpose — when you stand in front of them, they perfectly reflect the central medallion painted on the ceiling, The Triumph of the Church, so you don't need to strain your neck! A guided tour in Spanish is offered during these times and is included in the ticket price. Nearby attractions The Basílica de San Francisco el Grande is conveniently located in the southwestern corner of the historic La Latina barrio. If you happen to find yourself here on a Sunday, you could also catch the 400-year old flea market, El Rastro, or take part in a favorite local pastime — a Sunday tapas crawl along the cobblestone streets, in particular Cava Baja, long after the sun sets.

• Stadium

  Plaza de Toros Las Ventas

  One of Spain's most atmospheric arenas, the Plaza de Toros Las Ventas has hosted everything from Beatles concerts to motocross competitions during its eight-decade history. But it is the controversial sport of bullfighting for which the stadium was built and is best known for, with aficionados of the activity hailing it as Spain's "Bullfighting Cathedral". Located east of central Madrid, the Plaza de Toros features a wide public square with a bullfighting ring constructed in the Mudéjar (Moorish) style. Its coliseum-like arena can seat a little over 23,000 people, making it the largest bullring in Spain and one of the largest in the world. Bullfights regularly take place here during the season, which runs from mid-May to September, while daily fights occur during the week-long San Isidro festival, held each May. A visit to the Museo Taurino (Bullfighting Museum) at the back of the bullring offers a comprehensive look at the history and evolution of this divisive Spanish tradition. History of the Plaza de Toros Known officially as the Plaza de Toros de Ventas del Espíritu Santo, the arena is simply referred to as "Las Ventas" because the area upon which it stands used to be an enclave of several wayside taverns, known as "ventas" in Spanish. The stadium was built in 1929 and officially inaugurated in 1931 with a charity bullfight. However, the area surrounding the plaza remained a shanty town. A mass clean up operation, coupled with the outbreak of the Spanish Civil War in 1936, meant that the Plaza de Toros was officially re-inaugurated in 1939, a decade after its initial construction. Apart from the annual roster of bullfights during the season, the Plaza de Toros has also hosted opera performances, weddings, traveling circuses, car shows and rock concerts – this is where the Beatles held their first concert in Spain when they came to Madrid in 1965. Other high-profile artists who have performed here include Prince, Sting and B.B. King. Highlights of the Plaza de Toros Certainly not bereft of hyperbole, the main entrance of the bullring that features a grand Moorish arch is called "The Doorway to Eternal Glory." To be carried through here, high on the shoulders of aficionados, is the ultimate dream of any young torero (bullfighter). Outside the arena are several statues paying tribute to important figures in the Spanish bullfighting world. Right by the main entrance are the monuments of two bullfighters, Antonio Bienvenida, a celebrated torero during his heyday in the 1970s, and José "El Yiyo" Cubero, a beloved matador who was only 21 when he was gored by a bull through the heart. Curiously, standing alongside these icons of the bullfighting world, is a bronze bust of Scottish doctor Alexander Fleming. Fleming's discovery of the antibiotic penicillin helped save the lives of many bullfighters who suffered deep wounds after being stabbed by bull horns. Consequently, in 1964, bullfighters collected money to erect a monument in Dr Fleming's honor. The monument includes a statue depicting Fleming, and a matador tipping his hat to the scientist in appreciation of his work. Inside, the plaza's bullring is divided into ten tendidos (sections), radiating from the sandy central ring. The rather uncomfortable stone seats are distinguished in price according to the amount of sunlight each gets, with the most expensive seats being in the sombra (shade), the cheapest under the sol (sun) and the midrange ones in the sol y sombra, or partial shade. The most diehard bullfighting aficionados sit in Tendido 7, under the sun. Museo Taurino Situated at the back of the arena in the "Patio de Caballos" is the Bullfighting Museum, which is dedicated to the history and culture of bullfighting. Three large rooms exhibit fancy bullfighting dresses, accessories, busts and portraits of famous bulls and toreros, as well as the original posters advertising historic fights. In the Trajes de Luces (Costumes of Lights) section, you'll see the walking capes of well-loved bullfighters, such as the pink and gold ensemble worn by Manolete, one of the most famous matadors of all time, who died in the ring in 1947. Some other features to watch out for in the museum include a series of bullfighting-themed etchings ("La Tauromaquia") by Spanish romantic painter Francisco Goya, as well as a framed copy of a – aptly named – papal bull (public decree) issued by Pope Pius V, in 1567, that forbade Catholics from participating in bullfights on punishment of excommunication, and prohibiting a Christian burial to anyone killed in a bullfight. Guided tours Guided visits (in English and Spanish) will take you out onto the sand and into the royal box. Tours must be booked in advance through Las Ventas Tour. Access to the Museo Taurino is free of charge.

• Gardens

  Parque del Buen Retiro

  Madrid's emblematic park, known locally as El Retiro, was the exclusive reserve of Spanish royalty until it was opened to the public in the late 19th century. Now everyone can enjoy the ornate fountains, statues of Spanish writers and heroes, gazebos and stylistic exhibition spaces found in this sprawling, 292-acre (118-hectare) green space. True to its name, which means 'retirement' or 'rest', many Madrileños while away the day here either relaxing on the grass or sitting in one of the many terrazas (open-air cafés), far from the bustle of the city. A walk through the park reveals various landscaping styles, from French-inspired manicured lawns to craggy tree-lined pathways and romantic rose gardens. Among the grounds are several landmarks including Monument to Alfonso XII , a grand colonnade overlooking a central lake, and The Fallen Angel , the world's only publicly commissioned statue of Lucifer. Madrid's oldest tree, planted in 1633, can also be found here. History Created during the reign of Felipe IV in the 17th century, Parque del Buen Retiro was originally situated next to the Jerónimos Monastery. Only the Jerónimos Church still survives. An expansive palace complex, the Palacio del Buen Retiro, once stood to one side of the park before it was destroyed by a fire in the 18th century. In 1868, the garden was opened to the public as a municipal heritage park, which it remains today. During the War of Independence (1808-1814), Parque del Buen Retiro was transformed into a fortress and barracks for Napoleon's troops, which led to the destruction of large swathes of the park. Until 1972, the park had a zoo on its ground called the Casa de Fieras (House of Wild Animals). It housed animals brought back from Spanish colonies, including leopards, hyenas, polar bears and elephants. Sadly, many of the animals perished when Madrid was bombed during the Spanish Civil War in 1936. Highlights Monument to King Alfonso XII The focal point of El Retiro is the massive monument to King Alfonso XII, which surrounds the estanque (artificial lake) on the east side of the park. King Alfonso XII was a much-loved monarch who ruled from 1875 to 1885 and died young at 28. The equestrian statue honoring him was made by  Spanish sculptor Mariano Benlliure. On Sunday afternoons, it's not uncommon for crowds to gather at the foot of the monument and dance to bongo drums. You can also rent rowboats from the lake's northern shore. Fuente Egipcia On the southern end of the lake is a curious structure decorated with sphinxes called the Fuente Egipcia. Legend has it that an enormous fortune of Felipe IV was buried here in the mid-18th century. El Angel Caído (The Fallen Angel) Unarguably the park's most famous statue is the El Angel Caído (The Fallen Angel), believed to be the only artistic statue in the world depicting Lucifer. It dramatically depicts the Morning Star as a winged youth in agony at his fall from grace, entangled by a seven-headed serpent pulling him to hell. It is mounted on a fountain that shoots streams of water from gargoyle heads. To add some fuel to the hellfire — the statue stands at 666 meters above sea level. Ermita de San Pelayo y San Isidro The ruins of the Ermita de San Pelayo y San Isidro, located in the northeastern corner of the park, is a small country chapel. It is noted as one of the few, albeit modest, examples of Romanesque architecture in Madrid. All that remains of the 13th-century structure is part of the wall, a side entrance and some of the apse. They were restored in 1999. Palacio de Cristal (Glass Palace) Hidden among verdant trees is the Palacio de Cristal (Glass Palace), an architectural marvel of iron and glass, reflected magnificently on the waters of a surrounding lake. It was built in 1887 to house flora brought over from the Philippines, then a Spanish colony. Today, it serves as an exhibition space. The oldest tree in Madrid Just within the Puerta de Felipe IV, the monumental gateway into the Parterre formal gardens, is thought to be Madrid's oldest tree. The Mexican conifer was planted in 1633 during the construction of the former Retiro Palace. La Rosaleda Garden Towards the southern end of the park is the La Rosaleda Garden, a romantic little enclave with over 4000 roses. They are in full bloom from May to June. Nearby attractions Parque del Buen Retiro is located near several of Madrid's major sights including the Puerta de Alcalá, the gate that was once the main entrance to the city, and the iconic Plaza de la Cibeles.  Madrid's "golden triangle" of art museums – Museo del Prado, Reina Sofía and Thyssen-Bornemisza – are also nearby; all three are on Paseo del Prado boulevard.

• Ruins

  Templo de Debod

  Few people would ever guess that a 2200-year-old Egyptian temple exists in the center of Madrid. Yet the Templo de Debod is in no way a Vegas-style replica of an Egyptian monument — its origins trace as far back as the 2nd century BCE to the ancient city of Meroë on the east bank of the Nile. Dedicated to the Egyptian goddess Isis and the god Amun of Thebes, this temple is believed to have been the sacred site where Isis gave birth to the sky god Horus, according to some authors of myth and legend. The Temple of Debod was a gift offered by the Egyptian government to Spain as a token of gratitude for its assistance in restoring the Abu Simbel temples in Upper Egypt. It was transported from its home next to the Nile and rebuilt stone by stone in Madrid's Cuartel de la Montaña Park, northwest of Plaza España and right by Parque del Oeste and Casa de Campo. As one of the few standing ancient Egyptian monuments that can be seen outside of Egypt, it's a must-see attraction in Madrid. History of the Temple of Debod The temple was originally located close to the First Cataract of the Nile, south of Aswan in Nubia, southern Egypt. Its construction began in 2200 BCE under the rule of the Meroë King Adijalamani, and was completed over many centuries. Over time, the original small chapel dedicated to Amun and Isis was expanded by the succeeding kings of the Ptolemaic dynasty. After Egypt was annexed by the Roman Empire, its construction was completed by the Roman emperors Augustus, Tiberius and Hadrian. It was later abandoned for 12 centuries upon Nubia's conversion to Christianity. Fast forward to the 1960s, when the construction of the Aswan High Dam caused part of the Nile to flood and nearly submerged the ancient temples of Nubia. Wishing to save this precious cultural heritage, Unesco had sent out an appeal for countries to help, of which Spain and three other countries (the US, Italy and the Netherlands) responded. As a gesture of thanks to the Spanish archaeologists that worked to save these Nubian temples, the Temple of Debod was gifted to the government of Spain. (The three other countries that came to the monuments' rescue were given temples as well). The Temple of Debod was transported stone by stone to Madrid and rebuilt over a period of two years in the Cuartel de la Parque de Montaña (Mountain Barracks), maintaining its original east to west orientation. It was officially opened to the public in 1972. As the name of the park suggests, the site upon which the temple now stands has a bloody history. It was on this hilltop where hundreds of prisoners taken from the Dos de Mayo uprising in 1808 were summarily executed by firing squad by Napoleon's troops during the Peninsular War. This fateful event is captured in Francisco de Goya's painting, "El 3 de mayo en Madrid" (The Third of May 1808). That tragic day is certainly offset by the serene, mystical presence of the Temple of Debod today. Surrounded by lush greens and pools, it is a favorite spot for Madrileños to host weekend picnics, hold yoga classes, or even just watch a spectacular sunset. Highlights of the Temple of Debod The temple features various rooms, the Vestíbulo de Augusto (Augustus Vestibule), the Capilla de Adijalamani (Adijalamani Chapel) and the Vestíbulo de Naos (Naos Vestibule). Of particular interest is the Adijalamani Chapel at the heart of the temple complex — this is the oldest part of Debod that was first built by the Meroë regent. Its walls are decorated with relief scenes showing the king making offerings to different Egyptian gods. The temple complex boasts some of the best panoramic views of western Madrid. Walk over here from the nearby Plaza de España to catch the sunset, when this monument is particularly arresting as the glowing temple walls are reflected off the surrounding pools. Visiting hours and restrictions Access to the temple is open to the public and free of charge. For conservation reasons, the temple restricts group visits and can only be visited individually with a maximum duration of 30 minutes.

• Museum

  Museo del Prado

  Welcome to one of the world's premier art galleries. More than 7000 paintings are held in the Museo del Prado's collection (of which only around 1500 are currently on display), acting like a window onto the historical vagaries of the Spanish soul, at once grand and imperious in the royal paintings of Velázquez, darkly tumultuous in Pinturas negras (Black Paintings) of Goya, and outward looking with sophisticated works of art from all across Europe.

• Museum

  Centro de Arte Reina Sofía

  Home to Picasso's Guernica, arguably Spain's most famous artwork, the Centro de Arte Reina Sofía is Madrid's premier collection of contemporary art. In addition to plenty of paintings by Picasso, other major drawcards are works by Salvador Dalí and Joan Miró. The collection principally spans the 20th century up to the 1980s. The occasional non-Spanish artist makes an appearance (including Francis Bacon's Lying Figure; 1966), but most of the collection is strictly peninsular. Tickets are cheaper if purchased online.

• Museum

  Museo Lázaro Galdiano

  This imposing early-20th-century Italianate stone mansion, set discreetly back from the street, belonged to Don José Lázaro Galdiano (1862–1947), a successful businessman and passionate patron of the arts. His astonishing private collection, which he bequeathed to the city upon his death, includes 13,000 works of art and objets d'art, a quarter of which are on show at any time.

• Square

  Plaza Mayor

  Madrid's grand central square, a rare but expansive opening in the tightly packed streets of central Madrid, is one of the prettiest open spaces in Spain, a winning combination of imposing architecture, picaresque historical tales and vibrant street life. At once beautiful in its own right and a reference point for so many Madrid days, it also hosts the city's main tourist office, a Christmas market in December and arches leading to laneways out into the labyrinth.

What Garden Can You Visit Early In The Morning In Madrid?

Source: https://www.lonelyplanet.com/spain/madrid

Posted by: butlerqueent.blogspot.com

Share this post